Treatment of Women throughout Othello Essay -- Othello essays

Treatment of Womenâ throughout Othelloâ â   â Lamentably, sexism raises its monstrous head even in such an irrefutably incredible catastrophe as William Shakespeare’s Othello.  Let us seek after an investigation of the issue in this exposition.   In William Shakespeare: The Tragedies, Paul A. Jorgensen portrays the misogynist â€Å"brothel scene† in Othello:  The â€Å"brothel scene† (4.2), savagely pitiless in light of the fact that in it he converses with Desdemona regarding a prostitute, is yet loaded with weepy misery and even passionate delicacy. It recovers him in his desire that paradise were attempting him with torment †a philosophically sparing conviction; and it opens quickly his heart when he sees his most exceedingly awful distress †without which he could bear the difficulty †being disposed of from â€Å"there where I have gathered up my heart† (4.2.57). (65)  In the initial scene, while Iago is communicating his contempt for the general Othello for his choice of Michael Cassio for the lieutenancy, he creates an arrangement to incompletely retaliate for himself (â€Å"I tail him to serve my chance upon him†), with Roderigo’s help, by cautioning Desdemona’s father, Brabantio, to the reality of his daughter’s elopement with Othello: â€Å"Call up her dad,/Rouse him: make after him, poison his pleasure [. . .] .† Implied in this move is the reality of a father’s expected authority over the daughter’s decision of a marriage accomplice. Iago’s cautioning to the representative follows intently: â€Å"'Zounds, sir, you're robb'd; for disgrace, put on your outfit;/Your heart is blasted, you have lost a large portion of your soul.† This announcement likewise suggests that the dad has authority over the little girl. Brabantio’s counsel to Roderigo certainly communicates a similar message:  The worser welcome:  â â â I have charged thee not to frequent about my entryways: ... ... lie;  â â â Upon my spirit, a falsehood, a fiendish untruth.  â â â She bogus with Cassio! (5.2)  At that point she blames him for causing murder: â€Å"And your reports have set the homicide on.† Emilia’s shocking cross examination and conviction of her own better half as the malevolent genius behind the homicide inverts the misogynist picture of ladies basic the play. Her presentation demonstrates that ladies are guided by motivation to a similar degree, or significantly more prominent than, men; and that men are energy driven moreso than are ladies. The tables are turned on sexism at the very peak of the dramatization!  WORKS CITED   Jorgensen, Paul A. William Shakespeare: The Tragedies. Boston: Twayne Publishers, 1985.  Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.  Â